This article is part of a series of articles covering different Opening Variations. You can find the complete list of Openings/Variations covered on the following link.

Introduction

Back in 2020, I published an article on this blog devoted to the French Defense, titled What Every Ches Player Should Know About The French Defense. And even though it was relatively well-received, at the time, it turned out to be a one-off type of article. Not long after I wrote it, I started working for Chessable and put the opening articles ¹ into a hiatus. Even though I have always wanted to continue this series and cover more and more openings on this blog ² I never really managed to find the time to get to it.

Until now.

Given that I am currently working as a chess freelancer, I felt I really don’t have any more excuses not to start executing some ideas I have had for a long time. Especially since I have also wanted to devote more attention to my Youtube Channel – and the opening material is very suitable to be presented in the video format. ³

Thus, without further ado, I am happy to announce the return of the opening articles on this blog. In this post, we will continue our coverage of the French Defense by taking an introductory look at the Classical Variation of the French Defense.

Classical Variation of the French Defense

Overview and main ideas

The Classical Variation of the French Defense arises after the moves 1.e4 e6 2. d4 d5 3. Nc3 Nf6!

The idea of this move order is quite logical – Black develops a piece and creates pressure against the pawn on e4, prompting White to do something with it. It is true that this allows White to advance the e-pawn with the gain of tempo, but Black makes an argument that this fixing of the pawn chain will lead to a position where Black will have the opportunity to undermine it with thematic French pawn breaks, in the true spirit of the opening.

But before we get to the advance of the e-pawn, let’s take a look at some other options available to White on move 4.

Rare 4th moves by White

One of the advantages of the Classical Variation of the French Defense for Black is that it provides White with somewhat limited options on move 4. White should really go for one of the two main moves (4.Bg5 or 4.e5), as the alternatives are not really appealing (which is not necessarily the case with some other variations of the French Defence).

For example, White can try to play 4.Bd3!?, defending the e4 pawn. This move is very much viable against the Winawer move order with 3…Bb4, but against 3…Nf6, is not as effective due to a very concrete and specific variation that involves Black attacking the d5 pawn and also preventing the queen on d4 from attacking the g7 pawn.

Alternatively, 4.exd5 is possible, but it merely transposes to the Exchange Variation.

The Normal Variation (4.Bg5)

Therefore, trying to defend the pawn or exchange it on move 4 doesn’t really yield White any tangible benefits. It is not surprising, therefore, that two more popular moves involve a much more aggressive approach. The first of these is move 4.Bg5, leading to the so-called Normal Variation. ⁴

The idea of this move is simple – White defends the pawn on e4 indirectly by pinning the knight on f6. There are several ways in which Black can reply:

• Black can take on e4 with 4…dxe4, leading to the so-called Burn variation
• Black can break the pin with 4…Be7, when play most often continues 5.e5 Nfd7 6. h4!? – the so-called Alekhine-Chatard Attack
• Black can play 4…Bb4, leading to the so-called McCutcheon variation. At first glance, it seems as if Black is losing the piece, but after 5.e5 h6!? it transpires that it is not the case.
• Black can even try to gamble a pawn with 4…h6 5.Bxf6 Qxf6 6. exd5, although that variation seems more suitable for the master+ level

The Steinitz Variation (4.e5)

Last but not least – the natural advance of the e-pawn with 4.e5 is by far the main move in the position, leading to the so-called Steinitz variation of the French Defence. It was named after the first World Chess Champion Wilhelm Steinitz who employed this variation with great effect in a game against Sellman in 1885. ⁵

The idea of the move 4.e5 is obvious – White removes the pawn from the attack and gains some space with the gain of tempo – as the knight on f6 is attacked. On the other side, Black makes an argument that this releases the tension in the center and provides the second player with the possibility to play against the center with the help of the thematic pawn breaks c5 and f6. Black claims this is especially powerful because the knight on c3 is blocking the c-pawn and preventing White from reinforcing the center so easily with the move c2-c3.

Conclusion

This brings me to the end of this introductory article devoted to the Classical Variation of French Defence. In the subsequent posts, I will continue the coverage of the Classical variation by examining the variations that can arise via the 4.Bg5 move order in great detail.

In the meantime – make sure to check some of the material related to the topic of this article (and the French Defence) provided below!

And keep on improving and having fun!

Cheers!

Vjeko

Additional resources/Self-promotional material

Free Lichess Study with the material covered in this article

Youtube Video Devoted to the Classical Variation

Free Lichess Study devoted to the Normal Variation with 4.Bg5

Youtube video devoted to the Normal Variation with 4.Bg5

Free Download -Introduction to the 4.Bg5  Classical Variation .pgn file

French Defence Classical – Introduction

Free Lichess Study devoted to the Steinitz variation with 4.e5

Work in progress, coming soon

Youtube video devoted to the Steinitz variation with 4.e5

Work in progress, coming soon

1. And my writing on this blog, for that matter
2. Because I enjoy analyzing them and also because of good SEO and stuff
3. But also because I felt creating the opening files would be suitable for the business model I wanted to pursue – but more on that latter/on some other occasion.
4. Although I haven’t been able to 100% confirm this is the name of this specific variation, given that it can lead to several different variations depending on what Black does next.
5. Although I wasn’t able to confirm whether it was the first time he ever played 4.e5 – or just the most famous one